Marie stared at the golden man, unblinking, her brain unable to comprehend what he meant. She hadn’t made any deal with him. This was the first time she’d ever seen him. For a moment, she felt unanchored to the world. She wondered if she’d been given too much pain medication. Her head seemed open to the sky, as if her thoughts were floating away.
“I wished that we could go back to the hospital,” she said. Her head felt more solid as she said the words.
“And I delivered for you,” the man said.
“But…I didn’t mean…” she began.
“Oh, I’m afraid you didn’t specify,” he said.
She narrowed her eyes, feeling anger burn her face. “Who are you?” she asked.
“I’ve had many names,” he said, his voice like velvet. His softness smoothed away the anger. He was magical, she decided. A magician. A wizard. He was like one of those characters from a fairy tale: impossibly sure of himself, full of mystery and powers that no regular person could comprehend.
“Oh, that’s it,” she said. “You must be one of the fae.”
A smug little grin spread over his mouth, but he tucked it away for later rather than let it grow. He tapped a finger to his lips, indicating to her that it was a secret. “And now that I’ve done something for you, you will do something for me.”
“But you haven’t done anything for me,” she said.
“Did I not?” he asked. He stood, paced to the window. He laced his hands together behind his back. “It’s such a shame when you mortals are ungrateful.”
“Ungrateful?” she asked. She tried to sit up, but everything still hurt. She grunted against the pain and the tubes. “What you do you mean, ungrateful? Should I be grateful for this?” Her voice was sharp with ire.
“And what do you think would have happened that night without my intervention?” the man asked, snapping his head in her direction. “Do you think you’d be alive at all? Do you think your daughter would have been saved? And what of dear Ned?” The golden man came towards her, slow step by slower step, creeping forward, almost eerily. He lowered his face to hers. He no longer seemed beautiful. “I think you know that all of you would be in the morgue had I not come at your call.”
The scene in the car returned to her. The pounding rain. The sticky icing of the donut. The fear. Her knuckles white as they gripped the door handle. Ned’s irritation. The sharp, sudden kick of the baby. That other car which showered them as it drove through standing water on the highway.
But she didn’t remember the crash. No ambulance ride. No surgery. She was in the car. Then there was nothing. Then she was here, in this bed.
Had she died?
Marie couldn’t argue with him at the moment. “What do you want from me?” she asked.
“Not anything so great that you can’t give it,” he said. “Just a name.”
“A name?” she asked.
He wore a wide smile now. “Just a name,” he said. “The baby’s name.”
“No,” she said fiercely. She shook her head, hoping to clear the fog that had descended on her. “No, you can’t have her name.” In every fairy tale she knew, names were power. You never gave away your name.
The smile melted from his face. In its place, he wore a sneer so filled with malice that she drew back from him, pressing herself as far into the bed as she could. She gripped the sheet in her fists, and drew it up. It couldn’t hide her from him.
“I could snap my fingers and send you back to the scene of the accident,” he growled.
His naked anger painted stars across her vision, but she held her gaze steady. “Tell me,” she said, taking care not to betray her nerves or her suspicions, “where was the accident?”
If you like this blog, make sure to check out my newest book, Falling Down the Well, funding now on Kickstarter.
Marie opened her eyes. The soft light of morning peeked into the bedroom. Dawn seemed gray, and that made sense. It rained last night. She turned back the covers, rubbed a hand over her belly and gasped.
The swell of the baby was gone.
She bolted upright, looking around the room, realizing where she was. Back at the hospital, like she had wished. Panic shot through her as she looked at herself. Her arms were a mess of tubes and tape. As she became more aware, she noticed that her head was wrapped in bandages. One of her legs was in a cast. The other leg had a wrapping around it, which squeezed every few seconds. Under the gown, she could feel the bulk of a pad between her legs. A catheter tube was taped to her thigh.
Then the pain hit her. Everything hurt, especially her abdomen. She raised the gown, looking at herself. A scar ran across her pelvis. Now the missing baby made sense. But where was she? Was she okay? Tears leaked from her eyes, as she lowered herself down onto the bed.
Something was beeping, a frantic, grating noise that had her heart racing. She was lucid enough to understand that the beeping was likely because her heart was racing. She tried to glance at the monitor, but could not turn her head far enough to see the screen. Her neck was stiff like the rest of her.
The door of her room opened, and a nurse came in. The scrubs she wore fit snugly around her hips and her breasts. She tried to look as if she was not hurrying to the bedside, but her tight, frizzy curls betrayed her. They bounced with a life and force of their own.
“Hi, Marie, I’m Margaret. I’m your nurse today,” she said. She was cheery, but underneath, Marie could hear the concern. She pushed a button on one of the several machines in the room. Marie watched her, barely registering her movements, as she typed something into the computer. A moment later, she pulled gloves onto her hands. “I’m just going to check you over,” Margaret said. The nurse raised the sheet. “Have to check your pad, honey,” she said.
Marie obediently spread her legs. Margaret worked in silence. She was pressed, wiped, changed, feeling nothing at the invasion of her most personal places. There was only one thing Marie was thinking about. Margaret lowered the blanket. “How’s your pain?” the nurse asked.
“Hurts everywhere,” Marie said.
Margaret went still. “It was a very bad accident, I think,” she said. The way she said bad tightened Marie’s chest.
“Where’s my baby?” Marie asked, the question finally bubbling to the surface.
Margaret put her hand on Marie’s arm, gave her a gentle squeeze. “She’s in the NICU.”
Marie wondered what it meant that Margaret didn’t offer any other details. She swallowed a lump the size of an apple. Her stomach ached, in the same way it did after a night of heavy drinking. She felt ill and dizzy. If her nurse noticed, she didn’t comment. Mouth suddenly dry, she asked, “And…what about my husband?”
“He is in the ICU,” Margaret said. Her words crawled out of her, individually, as if they weren’t forming a whole sentence.
“Is he awake?” Marie asked.
Margaret’s mood darkened visibly. She shook her curls away from her face. “Last I heard, no,” she said. There was a finality in her tone that was hopeless.
Marie leaned back on the bed, the sickness overcoming her now. “I don’t feel right…I’m gonna be sick,” she said.
Margaret produced an emesis bag seemingly out of thing air. As Marie wretched, the nurse held back her hair. When she was finished vomiting, Margaret wiped her face. She checked vitals. She asked if she could bring another pillow, a sip of water, if she wanted the T.V. on, if there was anyone that the hospital could call for her. Marie shook her head at all these things, unable to think.
“Can I see my baby?” she asked. Her timidity nearly broke her own heart.
“We can’t get you out of bed for another twelve hours,” Margaret said. “But, as soon as we can get you up, we can get you in a wheelchair, and we’ll take you to see her.”
Marie wondered what kind of world she had stepped into. These were her daughter’s first hours of life, and she was laying here in this bed, while her husband laid in a bed on another floor of the hospital. It didn’t seem possible. I wished to get it over with. She nearly said it aloud, but the fear of what it meant glued the words to her tongue.
Margaret eventually left. Marie broke into sobs that were barely controlled. Somehow, she still managed to fall asleep for a few hours.
When she woke, there was a man she didn’t recognize sitting at the foot of her bed. She should have been wary, and yet… The man was slender, almost golden in the pale evening light that shone through the window. He wasn’t young, but he wasn’t old either. There was something familiar and soft about him, though he was certainly a stranger. He ensorcelled her the longer she looked at him. A slow smile spread across his features as he watched her studying him.
“I believe,” he finally said, “that now you owe me something for our deal?”
If you like this blog, check out my newest book, Falling Down the Well, funding now on Kickstarter.
As Marie climbed back into the SUV, her huge belly feeling heavier than when she had gone into the hospital, the tears of frustration and fatigue she had been holding back began to steadily leak down her cheeks. Her husband, Ned, took the driver’s seat without the usual pep in his step. He had tossed the duffle into the back seat before getting behind the wheel. It would probably stay there until they came back here. Tomorrow? The day after? Marie was too tired to think about how many more days she would have to wait.
“I just…thought she was coming!” Marie said. The words burst from her the same way popcorn explodes with a bang. She wiped her face dry and sighed heavily.
“Hey,” Ned said, reaching for her hand after closing the door of the truck. “She’ll come, baby. You don’t have much longer to wait.”
“I feel stupid,” she said. “I could have just drank more water today, and then we wouldn’t have had to make a trip.”
She wasn’t in labor. She was dehydrated. It caused those pesky Braxton-Hicks contractions. They hurt, but they weren’t the real thing. It was like her body was practicing, the midwife said. It hadn’t felt like practice a few hours earlier. But after a hour of monitoring, a urine sample, and some juice, she wasn’t feeling anything except round. They sent her home. It wasn’t time.
“Don’t feel stupid,” Ned said as he turned over the engine. The truck roared to life just as rain started to pelt the windshield. It was a hard, sudden rain. The fat drops were loud on the roof of the truck. “How about I get you a treat on the way home?”
Krispy Kreme was always open. “Maybe the hot light will be on,” she said with a slight smile.
They puttered along the streets, the rain now falling in sheets so thick it was difficult to drive. Even with the wipers on high, Marie could barely see through the water that ran down the glass. Ned kept the window rolled up in the drive-thru until it was his turn to order. He was soaked after just 30 seconds of talking to the kid on the other end of the mic. He rolled up the window. “This rain is wild!” he said, wiping down the door of the car with a cloth he kept tucked into the compartment between the two captain chairs.
Marie stared out the window. They baby was moving inside her again, and she needed to pee. She wondered where the rain had come from so suddenly. She had looked at the forecast earlier in the day, but it hadn’t mentioned any precipitation. “Just another joke being played on us, I guess.”
“What joke?” Ned asked. He was smiling at her even though she wasn’t smiling at him.
She wasn’t mad at Ned, but she couldn’t shake her foul mood. “I wish we could have stayed at the hospital. I wish we could just go back there right now and get it over with.”
She said it angrily, and the words felt wrong in her mouth. Her stomach lurched towards her feet. She wanted to take it back immediately, to snatch it back from being said. She put her hands to her stomach protectively, as if her words would somehow harm the baby if she didn’t. Her lip quivered as dread rolled through her belly. She had the thought that it was a terrible thing to wish for, but she didn’t understand why.
“Marie,” Ned said gently. He inched the truck forward, glancing at her as he did. He put his hand on her thigh. “Let’s just get you that donut, and then you can go to bed. Okay, babe?” He squeezed her.
She nodded, but the dread was still spreading through her. She covered his hand with hers.
At the window, a teenager who looked too young to be working popped a bubble in his chewing gum and said, “$4.24.” Ned fished his wallet from his pocket, handed the kid his card, and then waited for him to swipe and hand it back. The rain was still coming down hard and fast. The kid at the window handed him a bag with Marie’s two chocolate-iced glazed donuts in it. Ned didn’t like sweets, so he never ordered anything when they came through. “Have a good night,” the teenager said, shutting the window before Ned could reply.
“That should hit the spot, don’t you think?” Ned said, handing her the bag. The awning hadn’t done much to keep the rain off the bag.
Marie made a pleased sound in her throat as she took the bag from him, and pulled one of the donuts out. She bit into it, continued to make that low, soft moan of delight. “Yeah, I do think you’re right,” she said as she chewed.
She finished off the first donut before Ned pulled out of the parking lot. The main road leading to their neighborhood was either 3 exits up the expressway, or eight minutes of taking low roads that went mostly through neighborhoods. Ned always opted for the highway, even though it felt silly to be on it for such a short distance. She didn’t tell Ned how to drive though. It never went over well. It was the one thing he could get snippy about. She took her first bite of the second donut as he accelerated up the ramp. He turned on the wipers to their fastest setting.
“Jesus, Ned, you can’t even see!” Marie said, stifling the rising panic.
“It’ll be fine,” he said dismissively, though she could tell from his body language that he was likely second guessing his choice. Ahead of them, a long line of red taillights and flashers stretched into the night. She put the donut down and gripped the inside handle of the door for comfort. As Ned merged onto the highway, she audibly let go a nervous breath. “Marie, it’s fine!” Ned said.
“Okay,” she hissed, tightening her grip on the handle.
He drove. He wasn’t fast, but even so, Marie was internally screaming for him to slow down. She could barely see the exit signs as she counted. They passed the first exit, then the second. She started to breath easier. Just another mile or so and then back to low roads. They were almost home. She closed her eyes for just a moment, and her mind snapped back to the moment when she had wished to go back to the hospital. The sinking feeling returned. “Ned…” she began.
She never finished the sentence. The baby kicked her bladder and she gasped. The noise came at the same moment that another driver sped past them, spraying water across the already drenched windshield. Ned cursed, and slowed the car as the excess water ran down before their eyes, the sound of it drowning out everything else in the car. It took forever for the water to stop spraying. Then there were break lights in front of them, too close, and Ned slammed the breaks of the car. Marie screamed as Ned began to hydroplane. He jerked the wheel, veered the car off onto the shoulder. Or so she thought. She couldn’t see anything. She heard the crunch of metal though, just before she screamed again. She squeezed her eyes shut, dropped the rest of the donut, and wrapped her arms around her belly.
If you like this blog, check out my newest book, Falling Down the Well, funding now on Kickstarter.
There I was, in a wilderness of someone else’s making, wondering how I had gotten there and if I’d ever find my way out. Unlike Moses, I hadn’t committed a crime; and also unlike Moses I wasn’t in the wilderness with a purpose, like herding sheep. Nope. I was just wandering, looking for a sign.
When I said Jessica never spoke to me again, I really meant she never spoke to me again. I texted her and she left me on read. I tried to get mutual friends to speak to her on my behalf and they wouldn’t. I even reached out to Chris, but he ducked my messages too. I called her mother. No dice. Everyone said, just give it time. She’ll come around. But she didn’t. She cut me out of her life because I had offended her brother, and for the life of me, I couldn’t figure out why it mattered so much.
Was it the drawings themselves? Was something about him drawing me like that upsetting to her? Why would Chris’ drawings of me as a hot car girl make her throw away our whole friendship? At some point it didn’t make any sense to keep asking the questions. I just had to try to move on, without the one person who I had shared my whole life with, who knew everything about me, and who I thought would be there to the end of the line.
It really sucks to find out your ride-or-die isn’t going to do either for you.
So, yeah. Wilderness. Wandering. Wondering without answers. Looking for signs. And then, one day, I saw it- the burning bush.
Again, it wasn’t a literal burning bush. And I wouldn’t even say that it was a place where God was waiting for me. Maybe God was there somewhere, but the feeling I got from what I saw wasn’t one of holy ground. I had a profound sense of peace though, a moment of clarity that was so raw I couldn’t keep being aimless, listless, friendless. I knew as soon as I saw it that I had to move forward, without answers, because the only answer I needed about anything was right there in the headline I saw as I scrolled on the internet.
Alleged Identity Thief Finds Herself the Victim of Her Own Crime
Under the headline was a picture of Jessica. The article laid out that for years she had been part of a scheme to steal and sell personal information, most often by hacking into online order databases from high traffic websites. I couldn’t believe what I was reading. The woman they described didn’t sound like Jessica at all. They even called her by a different name- Meredith Smalls.
Had she never really been who she said she was?
I thought back to when I’d first met her, fresh out of college, looking for work. We used to frequent the same coffee shop back then, and we became friends after several weeks of both of us using the wifi to search for jobs. Jessica (Meredith?) had never landed anything permanent. She was always moving from place to place. How had I missed that she was a completely different person than the one that I had known, that she was living this secret other life that I had no insight into at all.
I still don’t know why Chris drawing pictures of me ended the relationship, but after seeing the article, it didn’t matter. I knew the truth, looking at the sign, the miracle in the wilderness without any kind of closure: she lied to me about who she was. That was all I needed to know.
I closed the article and texted my mom. You’ll never believe this. I sent her a link to what I had just read.
It was only a couple of minutes before I got a reply. Well, now you know.
I did know. It wasn’t the answer I was looking for, but maybe that was okay. After all, do you think Moses went up that mountain to see a bush caught on fire but not burning up, and to hear God telling him to go back to Egypt? No. I think sometimes you’re going about your life and then something smacks you on the head, and the pieces you tried to fit together all the sudden seem a lot more like a picture.
The interview posted below was conducted by yours truly, for the creative collaboration A Writer’s Shindig. Authors from the collaboration were all interviewed about their work as part of the initial project. This interview is about Stephen’s short story Trees Grow Around Wire. An author interview was posted after the conclusion of each story in the collection. You can read more about our collaboration and find all the previous interviews and stories at A Writer’s Shindig.
First things first — can you tell me a little bit about your writing? How long have you been doing it? What does writing do for you?
Steve:
My blog is nine years old. SteveForTheDeaf came from two things.
Firstly, as a long-haired, bone-idle twenty-something I spent hours debating music and trashy movies with other long-haired, bone-idle young folk in the pub. That was my kind of sport. I’m evangelical about low culture as high art.
Secondly, later on, I had a job that gave me untold hours alone in airports and hotels. Lots of travel, but on a fairly crappy budget. The blog felt like a fitting substitute for the pub. Me, my iPod, and my laptop wrote the first five years of it in waiting rooms, hotels, and terminals.
Over time, the writing itself started to wander. Reviews would drift into speculation, into narrative, into little flights of fancy. At the time it just felt like riffing, but looking back I think I was broadening my palette without really meaning to.
When Ted suggested setting up a story working group, it seemed to release something in me.
Like a sluice gate. And now I don’t seem to be able to stop writing short fiction.
It keeps me out of the pub at least.
Sarah:
The opening of your story evoked feelings of nostalgia in me for the farm where my grandparents lived. Your description of the cabin where your characters begin the tale is moving. Does this setting resemble anything that you’ve experienced in your own life?
Steve:
I’m glad it invoked a feeling of nostalgia. I did not grow up on a farm. I was an inner-city kid. So this, for me, was a kind of latent wish-fulfillment thing.
I do live in the countryside now, and when I see kids in our village getting fields and forests on their doorstep — wow. I just love that for them. Go on, kid. Get out there. I’m a latent treehugger. I love being in the woods. I mean love it. I walk for miles when circumstances allow. Through ancient forest and over hills. Me, my dogs, my wife. Heaven on Earth.
But I also know how I feel about where I grew up. I hated it then, and I hate it still. And when I knew I wanted to write from the perspective of a kid, I figured rural would help with an economy of characters.
Sarah:
Your protagonist could be anybody — any kid that never really fits into the life they’ve been handed. What do you think is the appeal of these kinds of misfit stories?
Steve:
I think we learn the rules of stories before we know we’re learning the rules of stories. Batman— or Master Wayne at least — Spider-Man, Carrie, The Ugly Duckling, Luke Skywalker. At their core they’re all “little kid lost”, off on an adventure.
At my most ambitious, I wanted to write something that had the sort of long shadows you find in A Monster Calls. Patrick Ness took an incomplete work from Siobhan Dowd and finished it after she died, and when I read it I was struck by the sense of before and after in that book. And I love an eldritch horror concept. I’m a big old goth at heart.
I also think that in this day and age, it might only be the misfits who actually read.
Sarah:
I also want to ask you about the absent mother. This element is common in fairy tales. I’d say there are other parts of your story that evoke an “other” fantastical realm as well. Did fairy tales play a part in the writing of this story?
Steve:
I did want to write a fairy tale of sorts. I can’t escape Poe or the Grimm, but I also wanted an old- school science-fiction feel. Something that could be rendered as a practical special effect — on screen, or in the mind. I use that phrase a lot: on screen in the mind.
While my mum was present, my upbringing was very male-centric. My dad. My brother. Uncles. Grandfather. All-male spaces are quite pungent. There’s rarely an objection to a workbench in the kitchen, a motorcycle engine on the dinnertable, or Swarfega for hand soap on the lavatory.
Sarah:
Without giving too much away, would you say that the protagonist himself is like a tree that grows around wire?
Steve:
Without wanting this to sound like therapy-speak, I think we’re all trees that grow around wire in a way.
The problems we face in life, or the things that shape us along the way that weren’t necessarily part of the plan, are the things we absorb into our personalities, into our behaviours, into our psyches, even our decision-making processes.
In this particular instance, nothing grows around that wire, because anything that touches it is cleaved clean. But does the boy grow around the presence into a man? Yeah, I’d say he does.
And he gets pretty close to it changing the course of his life. Even though he may have gone unpunished, or excused by the timeless indifference of the thing, he would certainly have taken a different route.
Sarah:
Finally, the protagonist is challenged by some difficult family dynamics. I like the way you tell the story of him maturing into a different kind of person than his father. But there’s a moment in the tale where the reader thinks that this might not be the case — “there was before, and now we were in the after.” What do you think might have happened had that moment gone differently between the two cousins?
Steve:
When I was talking to Ted about this story while I was writing it and we were workshopping it, Ted described it as a villain origin story that didn’t. I liked that.
The father in this feels to me like many men, especially men of a certain generation, as something of a blunt instrument. When he’s hurt, his behaviour is inconsiderate and selfish, but hopefully not in a cartoon villain way.
I wanted what the boy encounters in the woods to sharpen him rather than harden him. To make him more attuned to fear, consequence, and restraint, rather than less. So the idea that he grows into a man capable of a good life — one grounded in mutual regard, in valuing another person’s perspective — felt important.
When his partner later suggests making something safe, she represents a form of care that isn’t reactive or conditional. It’s simply present. She’s the first adult in the story who’s shown care as a resting state.
Sarah:
I loved reading these answers! Thanks for putting such time and care into them.
Steve:
Thank you Sarah. Can’t wait to hear about your story origins!
This story is part of the project A Writer’s Shindig. Stephen Bent’s story is the last of 6 short stories written for the project. You can read more about our collaboration and read all the stories posted thus far at A Writer’s Shindig.
The air outside was bright and heavy. Insects hummed in the grass. The clearing shone, almost white. Well, what passes for white around here. In each corner, where the sun caught the gravel, the bleached earth denied it had ever been mud, a bog, a puddle or dirt. It lay hard and unyielding. My favourite time of year. But I had no time to enjoy it. He was already walking toward the trees, rolling his shoulders like a boxer loosening up for a crowd that wasn’t there.
I followed because I was supposed to. “So this is it?” he said, not even looking around. “Your big wide whatever? Your secret world is just… all these bloody trees?” He gave a whistle, long and low. “Creepy as hell.” I felt utter contempt for this fool. “They’re just trees,” I said. “Yeah, and you’re just weird.” He found a stick and swung it at a branch overhead, snapping off the smaller twigs, enjoying the noise. “Have you got anything stashed out here? I reckon you’ve got dead birds out here. Or bones. Or dead girls.”
I said nothing. He laughed. “Look at you. Jesus. You go red when anyone talks.” We crossed the clearing. The house disappeared behind us the same way it always did. Obscured bit by bit, swallowed by trunks. When we first arrived, I used to stop halfway and check over my shoulder to make sure it hadn’t vanished for good. Now I knew each knock and turn. Each dip and shade. These woods. My Woods. Home.
So this time, I didn’t turn around. He kept talking. About how big his life was. About girls. About fights. About the bus ride home from school, and how a boy called Darren had cried when punched in the nose and mocked for bleeding. All of it was like he was performing for someone else. He prattled on. I endured, and the forest led us onwards. We reached the dip before I knew we were close. The trees thinned there. Like usual, the ground sloped away into the dell. He looked at me, eyebrows raised. “Is this something?” I gulped inside but didn’t let it show. “Oh. Careful,” I said. “It’s dangerous down there. It’s steep. Hard to climb out. I fell in once.” He grinned. “Then I guess we do it here.”
He shook himself down, arms loose and wobbling again. He made sure I saw his jaw was set. It was like he’d seen boxers do on TV, and I’d seen him do already. “I told you, didn’t I?” he said. “One day, you and I were going to fight. Guess what? Today’s your lucky day.”
He raised his fists. And here we were. Two cousins, facing each other. I didn’t lift my hands. I didn’t defend myself. He threw his first jab. Smiling. It was a phantom punch, all noise and wind.
It didn’t even graze me; it was designed to make me look to the left, where he pushed the air. It didn’t work. I just stared at him. He took a second swing. I moved aside. Not because I’m smart or agile. But because it was obvious and I was edgy and scared. That’s when he smiled. He knew the sport had begun.
“Alright then,” he said. “You’re in.” It was then that he hit me square in the stomach. The breath went out of me like a balloon. I doubled over, coughing. He stepped closer, still smiling. “Hard to climb out, is it?” he said. “Sumo rules. What if I push you in?”
He shoved me hard and full of contempt. My ire awoke. I shoved back. Dry dust sprayed around our shoes, my boots, and his trainers, scrabbling for grip. He was bigger. He was stronger. But I had fear. So much fear. Fear of the drop, fear of the thing that lived beneath it.
He lunged again. I crouched, half by instinct, half by prayer. His balance is off. He went over me, his weight too far forward, arms flailing. A grunt, a slip, a shadow, and then he was gone. Silence hit first. Thick, like time holding its breath.
Another one of those moments. There was before, and now we are in the after. I curled into a ball, as small as I could make myself. I tried to stop the world from moving. I knew full well what was down there. I’d known before we left the house. I knew.
I saw the speed he went in. The air in my chest felt cold and old, like the forest was holding it for me. But no… It turned out that’s not what happened. There was a noise. Not a scream. Not the clean, dry sound of something sliced. Just a heavy scuffle, the slide of earth, the crack of twigs. Then his voice. “What the hell is this?”
Coughing, spitting leaves. Then laughter, high and breathless. “Jesus. Thought you’d killed me.” I didn’t move. Didn’t answer. My hands were pressed flat to the ground, shaking. I waited for something else, some confirmation from below. But there was only his voice again, louder, surer now. “Are you coming down here, Shrimp? Are you going to help me out or what?”
The forest stayed still. No birds, no wind. Just the faint hum I sometimes thought I could hear until I centred myself and realised every time that it was my own heartbeat. I thought of it as the sound of the line remembering itself. But really, it was the hum of my own existence. I stayed kneeling at the rim, the sunlight hot on my back, listening to him thrash and swear. And somewhere underneath, that thinner sound, like a violin string pulled too tight, deciding, almost, whether to cut. I knew that sound was in my head. But it was deafening.
“My ear!” he exclaimed. “I cut my sodding ear.” The brute’s voice sickened me. But the risk to him down there was too great. Thrashing around in the presence of the thread, he was a danger to himself. That was too much for me to bear. “Cousin. Look to me,” I called down. “Give me your hand; I will pull you out.” He was still cupping his left ear as he made his way to the side I was standing on. Blood was making thin tributaries between his fingers from the cut to his lobe. I watched his every move. When he was close to the thread. When it was safely distant from him. I didn’t say a word. But he only ever really came close to it a second time once. And just for a moment.
He came over to my side. The safest side to climb out. Where tree roots made something close to a ladder if you knew how to look. I held down my hand. My cousin took it, and one foot after another, he made his way out of the dell. He walked back to the house, cupping his ear. Silent and changed, he went inside while I sat in the clearing looking back to the woods.
That month, I stopped returning to sit with the thread. Not out of fear. Out of respect. And because I no longer trusted myself around such simple solutions for things.
I carried with me for many years the weight of that day. The memory, shame and fury are ingrained with the time I almost led a member of my own ‘flesh and blood family’ to their doom at the threshold of an ancient and immovable presence.
The pallor that summer afternoon cast over my adolescence, my prime years and my middle passage from youth to man was immeasurable. I carried that weight like a cross. I knew full well what was there. But still, I let us go. I let him face that tall, thin and final thread. But he didn’t see it. It sliced him. His ear was disfigured for all time. And yet. He knew not what had happened. Not really. A scar. A moment. A long-forgotten occurrence.
Adulthood didn’t arrive with grand announcements. It came in small print: rent due on Fridays; laundry coins stacked in a jar; bus timetables folded into a wallet that always felt too thin. Or a pocket that was always too full of junk. I moved into town. College first, then university, then a job that changed names more often than duties. I kept reading, kept looking for straight lines where nature refused them. Those impossible edges that felt eternal. Sometimes I’d find them in a theorem proof, a gallery frame, or a shaft of light cut square in a cinema aisle. More often than not, there was nothing. Nothing with the exact, indifferent purity of what waited in those woods. Nothing that matched the thing I had studied and almost fed blood to.
Years did the quiet work years do. I became the person I wake up as. I met someone kind. Kind in the practical ways. The kettle is always half-filled; the coat is lifted from your shoulders before you ask; a laugh doesn’t need an audience. We lived above a laundrette. We are always surrounded by warm air and machine hum, a weather system of steam and lint. Lint that shows itself in the air. We built a routine you could lean your weight on without it giving way.
On Sundays, I phoned Dad. Weather, groceries, the price of this and that. Silence. His memory began to thin the way old fabric does: worn through at the elbows first, then everything else. Words slipped from his pockets like receipts he’d meant to keep. The hospital rang.
We drove back. He smiled at me without recognition, as if the person he meant to greet were standing just to my left. He’s been doing that for some time. This time, he was not listening when they gave his diagnosis. Three days later, he was gone.
Forester’s Cottage filled with murmurs after the funeral. Plates travelling from hand to hand, the low-tide noise of family using up all the words that never help. My aunt hugged me hard enough to mean it. My cousin hovered with a drink. His hair had grown long enough to swallow the missing crescent of his ear.
“Yeah, I’ve got a scar back there,” he said, scratching absently at the covered absence. “Never healed right. Funny how you don’t remember half these things.” He laughed once, weightless. “Bike accident, maybe. Or barbed wire. Doesn’t matter.”
That was the moment a gear clicked in me. Some wounds are larger from the outside; some histories are only visible if you were standing where the light fell. He clapped my shoulder and moved on, already smiling at the next listener, untouched by the clean, straight edge that had once found him.
When the house thinned of bodies, we stepped out. My wife didn’t ask where. The woods had a way of inviting and excusing at the same time. We walked without speaking. Branches recognised me. Accepted us. The path arranged itself out of habit.
At the lip of the dell, I breathed in air that had not moved since I was a boy. “Still here,” I said, not to be clever, just to answer something that had been asked. I went down the way my body remembered: heel sideways on the root that holds, palm on the slick bark that doesn’t. My mourning sitting on dirt and detail is unbecoming of the occasion. At the bottom, I hovered a hand over the place where the world narrows to a razor. My wife above me, outside the dip. Just looking around the woodlands and chatting to me like I was not facing the point in time that all separates into one of two.
I stood before the line. Looking up. High into the sky. Looking down. Deep into the earth. Cleaving all that passes through it into before and then after. I held out my index finger. Moved it closer and closer still to the break in the universe. Then I touched the thread. No noise. No speed. No hum. No movement.
A sting, bright and clean. A single bead of blood formed and fell, dividing itself again on a leaf below as if to show its working. Something loosened in me that had been tight for decades. Breathing deep, I stood stock still for a moment. Then, satisfied, I climbed back up.
My wife was waiting, looking down into the dip as if reading a warning sign only she could see. “This doesn’t look safe,” she said, voice low. “We should fence it off. If a child fell in there, they’d struggle to get out.” My throat tightened. “Yeah,” I said. We probably should.” She took my uninjured hand, and we walked away together. Behind us, a leaf let go and, mid-air, calmly became two. We didn’t turn.
Together, we packed the last of Dad’s things. The door took the key and clicked in that small, respectful way old locks do. In the car, the headlights combed the trunks, pulled long shadows up toward the sky and let them go. The road ahead curved the way roads curve in the real world: not straight, not fair, simply going where it goes.
“Given time…” I said to the windscreen. “Mmm? Sorry, love?” she said, drowsy from the day. “Trees grow around wire,” I said, and smiled because she didn’t know the source but understood the sentence.
This story is part of the project A Writer’s Shindig. Stephen Bent’s story is the last of 6 short stories written for the project. You can read more about our collaboration and read all the stories posted thus far at A Writer’s Shindig.
It was not a stumble; I didn’t snag my boot on a root or slip in the wet. It was a drop. It was that precipice. And I ran straight off the edge of it. Straight off of the world I’d been hurrying through and into a deep, high-sided bowl scooped into the forest floor. A hole in the ground, slick with leaves and shadows. I had landed hard on the side of the hole and slid down into its lowest point. With the breath punched from my lungs and my momentum stopped, I collapsed into a heap near the bottom. Something metallic skittered away from me into the mushy, pulpy leaves as I came to a stop. The compass.
I scrambled toward it instinctively, fingers reaching to grasp the gift Mum had given me for Cubs. And then I froze. Bewildered by what I saw. The compass lay in two imperfect pieces. Cleaved. One side was almost two-thirds of the object. The edges are as clean as polished glass. The rectangle the dial was mounted on now looked like a wedge. The glass was not cracked but cut perfectly with glinting edges. The needle too was severed. The larger part lay on top of leaves; the smaller piece continued to tumble for a second longer.
Something brushed my cheek. As light as a whisper. That’s when I saw it.
A vertical line, rising from the earth exactly where the compass had fallen. Thin as spider silk, yet unmistakably solid. Impossibly tall. It climbed past twisted branches into the colourless sky, unwavering.
I held my breath. A leaf drifted down lazily. As it touched the line, it parted silently. Two halves spiralled down, settling on either side. I studied the two halves of the leaf as they spiralled down to the ground, now on two separate paths of wind and gravity. One half clipped the line a second time. It became two more pieces again. One larger, one tiny. Finally, they rested on the ground. One right by the point the line stands proud of the earth. My eyes widened as I drank in the details of all the leaves around it. They were all cleaved in two by a perfect straight edge.
I surveyed the ground, and there are twigs in amongst the leaves. Does it cleave the trees the same way it did the leaves, my compass? When the wind blows a twig into its path?
Slowly, the slowest I’ve ever moved, I eased backwards. The line didn’t move. It didn’t hum. It simply existed. Standing impossibly tall. From the leaves to the sky.
Only when my back met roots sticking out of the side of the slope did I stop backing up. I sat there until my breathing calmed, until my panic-beating, rage-driven heart softened into something smaller. And I looked at the line reaching up into the canopy of the forest. And I felt its presence. I felt like it might feel mine too.
It went so high I could not see the top of it. It was so thin I wasn’t sure at what point I lost sight of it. Was it where it met the branches of trees? Staring up, I was convinced I could see it reach past the top. A circle of branches seemed to part around it, allowing it to sail up into the grey above.
Did it reach the sky where aeroplanes flew? Would it cut a 747 in two the way it did my compass? Did it go into space? Did it reach down into the rocks below? How long had this thing stood here? Was this bowl in the ground caused by it? I had so many questions. Until I hit upon one that scared me more than the others.
Is it alone? Was this the only strand of immovable, sharp cutting edge in this forest? Or were the woods full of these things? Slowly. Very, very carefully, I tried to leave the bowl. Pulling myself up on the roots, I began to plot a route out of the dip. As I climbed out, my caution focused on two things. Don’t fall backwards, don’t slip, and don’t suddenly find yourself face to face with the razor’s edge. And keep your eyes peeled for others. Watch how the leaves fall. Look to the sky, look at the leaves. Don’t accidentally rush into another one.
On the walk home, I moved so slowly I must have looked like a statue at times. I scanned every trunk, every post. Afraid of lines too straight.
When I got to the clearing, Dad was gone. I didn’t go out the rest of the day. He came home in the afternoon. Hauling firewood and a hessian bag of groceries into the kitchen. I put myself to bed without dinner in the early evening. But I didn’t sleep.
I didn’t go back straight away. My curiosity grew quietly, like roots in cold soil; the terror of escaping the line became curiosity about what I’d seen and then doubt that I’d seen it at all. Dad and I found a routine. Ways to keep the peace between us. Fragile though it was. We stopped talking about Mum. We stopped talking about feelings. We discussed many things. Fire, woodwork, car maintenance, and school bus routine. But never thoughts, hopes or fears. And that way, we didn’t openly hate each other.
I tried to be as invisible as possible at school. Stay in the crowd. Slip off when nobody is looking. Find ways to not be seen or picked for anything. That part came easily most days. But I couldn’t shake the feeling I’d seen something totally unique. I’d seen and interacted with something utterly eternal. Weeks went past, and whenever I closed my eyes, I saw the crack in the world. the hairline fracture that had the sharpest edge imaginable.
Eventually, I went to the school library. Miss Redding pointed me toward reference books and told me not to bend the spines. I found nothing useful. Optical illusions. Fences. Power lines. Light refraction.
But one afternoon, buried in a battered paperback on rural hazards, I found a single line. ‘Given time, trees will always grow around wire.’ Plain. Unadorned. It hit clean. I borrowed the book and read that sentence nightly. Sometimes I traced it with my finger. I didn’t fully understand. But it felt like the shape of something true. I still didn’t tell Dad. Silence had become furniture.
By the time I’d reached thirteen, I’d decided that would be a watershed. A real teenager. A young adult. The age of many. I walked deeper into the woods after school every night. testing my boundaries. My caution around there being ‘other lines’ remained. But I developed safe paths. In, out, around. One summer evening, my feet found their way back to the dell before my mind caught up. I knew for months and months that I’d come back. I just didn’t know it would be this night. Until I was there. The evening sun had taken on a golden glow.
The thread was still there. The sunset caught the line high above the trees. A shaft of gold. Beautiful but almost so thin you would not see it if you were not looking for it. But I’d been looking for it subconsciously every day in a way. Wondering if it was thinking about me the way I had been thinking about it. But it hadn’t. It had just been here. Not moving. Not wanting or waning. Just here. Solid and so, so thin.
As I gazed up and down the line, and without thinking, I started to climb down into the hole. Gently and carefully planning my route so I didn’t slip. I never took my eyes off of it. The fear remained, but my curiosity stood taller. Once on the flat earth of the bottom, most leaves from the autumn had rotted away, so I stood on grass and moss. I sat at the bottom for hours, watching consequences fall in silence. When I finally climbed out, my head felt clearer.
That scared me more than the thread did.
I returned monthly. Respectfully. I never touched it. I watched raindrops bead along its length in summer storms, splitting into twin streams when they met the line. I tested grass blades, feathers, and twigs. Each parted perfectly. I pondered the line from the book, “Given time, trees grow around wire.” I had seen it now with my own eyes.
The fence around the clearing that circled the cottage, our home. Part taught, part wire fence post. Where it passed the first row of trees that marked the edge of the forest, there was a fine example. A fence that Dad had told me he had helped put up with Grandad. Back when he was my age. It was now absorbed as part of the environment around which the tree lived. There was no hole in the bark. The wire went in one side and came out the other.
The fence posts themselves had weathered and weakened with age. They still stood up. But they were not the formidable structure they once had been. But for the trees’ intervention, they would have remained in place. Doing their job. The trees’ absorption of the presence of the fence was indifferent. The trees just kept growing despite the man-made barrier. Until it was part of the fence, and the fence was part of the tree.
So I sat looking at this thing. This implausible, eternal, indifferent, deathly thing. The thread wasn’t violent. It was indifferent. And that spoke to me in fearful ways I couldn’t name.
At fifteen, an axis shifted again. Dad made up with his sister, my aunt. For years, they hadn’t spoken. Not since we moved to the cottage. Was it because we moved to the cottage? I didn’t know. But now they were reconciled, and that meant my cousin on my dad’s side reappeared in my life. Two and a half years without him had passed. I didn’t realise what a pleasure that had been.
Always confident, a lot taller, with a grin sharpened by universal approval. I couldn’t bear him. All adults adored him, instinctively. He was a bully. Behind the scenes, a violent thug with a clean smile and a way of throwing adults off his scent. I could smell the rot in him. And he could smell the fear in me.
We ate dinner at my aunt’s house. Voices overlapped. Laughter inflated the room. The years apart seemed to melt away for Dad and for my aunt. For her husband and for my cousin, too. They talked of memories. Of what was missed in between, but never of the rift. Never of reconciliation or regret. Only forward. They drank and ate and made merry. And when the meal was done, they encouraged my cousin and me to head outside together.
To get some exercise. To go and have some fun. My cousin seemed to genuinely like that idea. He said he wanted to show me his bike. His goalposts. His den is at the bottom of their huge garden. I nodded in agreement and dreaded the idea. So once plates had cleared, and adults had uncorked another bottle, we were dismissed.
At first, things were polite enough. We sat on the patio furniture while my cousin spun the wheels on his upturned BMX and talked about brakes, tyre treads and pads that fitted on the frame of its hot-rod red frame. I was polite. I told him my bike was once Grandad’s. It weighed a ton. He laughed and called me a word I’d never heard before. I knew it was a slur.
As our time in the garden wore on, his tone shifted. “Why’d she really leave?” he whispered after putting his bike away as he tried to keep a run of volleys going with a football. “I don’t know,” I muttered, and he kicked the ball at me. It hit my hands and bounced back to him. He laughed. “She used to buy me good birthday presents. “I liked her,” he said, rolling the ball on his foot again for another three keepie uppies before it rolled off onto the lawn. “Me too. She was good at presents.” He cuffed the back of my head. “Bet she couldn’t stand the idea of living in those woods. You reek of them, you know.” I said nothing. Some cruelties are rehearsed. He’d been thinking about sticking me since I entered the house. I could tell. And now he’d done it; I just hoped he was done. “We should get into it one day,” he said. “You and me. Mano and Mono.” I didn’t correct him.
A month later, my aunt and her whole rotten household visited our cottage. Dad and Uncle shared manly exchanges outside the cottage. Roasting each other lightly with teases and roughhousing. My aunt had me show her around the cottage. She seemed to disapprove of the state of every single thing she saw. My cousin seemed even bigger and more verbose outside of his home. In mine, it felt like a violation. My quiet, monk-like peace and carefully trodden routines are violated by loud voices, questions and judgment. Again, a big meal where we all sat across the table. My aunt cooked it before she came. She heated it up once it had got here. I have to admit it was nice to have new potatoes, carrots and gravy. To have home-cooked (but not this home) food filling the house with a smell that made me remember Mum.
Dad had the wine covered. This is what was considered his way of hosting. Provide the wine. And the sloes. The stuff he’d got bottled under the stairs. Grimy-looking second-hand bottles filled with homemade forest-fruit-based booze. When opened, it reeked, and it always made the glasses dirty. I knew they’d get to that wretched stuff soon enough. So I tried to make my excuses. “I’ve got homework to do. I have to go to my room later.” I was planning to give myself some quiet time. Hoping my cousin would find me boring and want to stay with his parents and Dad instead of me. I wanted an escape boat in time.
“Don’t worry about that,” boomed Dad. “Why don’t you show your cousin around? Show him what you find so fascinating in those woods all the time.” I wanted to protest. I wanted to just say no. But I always do as I am told. So when the last of the ice cream and crumble had been scraped from the bowls, my cousin’s hand on my shoulder was all the signal it took. And that was the end of the only good meal I’d ever tasted in Forester’s Cottage.
“Come on, Shrimp,” he said, and the adults all laughed. “I’ll race you through the woods.” I suddenly wanted to throw up everything I’d just eaten. “Go on, son. Get out of here. Give us adults some space, yeah?” I nodded. I swallowed hard. And I went to pull on my boots. I just knew this was going to go badly. I just knew.
By the time I got one boot on. He was already trying to rag on me more than I had the willpower to bear. “Come on, Shrimp!” he shouted again. It got him a laugh last time. Why not, eh? It was like it was a name everyone agreed I deserved. The adults laughed from the table, their voices thick with drink. Dad called after us, “Don’t go too far!” and then laughed at his own line, as if danger itself was a punchline.
This story is part of the project A Writer’s Shindig. Stephen Bent’s story is the last of 6 short stories written for the project. You can read more about our collaboration and read all the stories posted thus far at A Writer’s Shindig.
I was 11 in 1985. We moved into Forester’s Cottage in early November, when the light went thin, and the trees stood like grey ribs around the clearing. Every winter before that, the streets had been lit by street lamps and rain on concrete, reflecting headlights. Living among these trees was the first time I’d seen real dark. Black featureless nature. A void of light on the really overcast nights.
The cottage had belonged to my grandfather. I didn’t ever get to know him, not really. I remembered boots by the door on the day of the funeral, mud flaking off them like scabs of dried outside dragged in. I remembered silence. It wasn’t like darkness. Silence always had something else in it. Smaller things, in the distance, in the walls.
Inside, the house smelt of damp wood, old stone and older tobacco. Dad propped the back door open while he hauled our boxes from the car, his wheezy breath fogging in the cold like it came from good lungs. I followed behind, hugging a damp cardboard box marked Bedroom. The cardboard had gone soft, and none of the straight edges held their intended lines anymore. The tape curled up the sides, peeling away from the pulpy frame but keeping the flaps in line. I held the bottom just in case.
We unpacked badly. Like men. Boxes slumped half open on the landing; coats hung from bent nails hammered into beams decades ago. Dad’s dad was a rudimentary decorator. Dad stacked tins in the cupboard and wiped dust with his sleeve. In the lounge, a gas fire hissed, trying its best. The smell was round and cloying. It filled the room up to your chin.
My box held my battling robots, lots of socks, some old schoolbooks from my last school, and the little brass compass Mum gave me when we walked the coast last summer. The hinge stuck, but when I pressed the clasp, it sprang open. The needle quivered toward north. I snapped it shut. Mounted on a rectangle of metal with a hole drilled in the bottom. I’m supposed to wear it around my neck, but the string went missing long ago.
That first night, the noisy new quiet pressed against my ears. When it was this kind of silent, even my breathing felt rude. I’d have to work out where it fits in between the fox barks, the owl hoots, the trees creaking and the plumbing groans. I lay awake, listening to the wind rattle the eaves and the gas ticking in the lounge. Somewhere deep in the house, floorboards sighed like someone shifting their weight.
Days blurred, cold and grey. Dad made tea that tasted of mud and disappeared into the woods with maps he didn’t explain; when he returned, he was always tired and short-tempered. The woods surrounded the cottage. Some days, I wondered how he got the car out because the trees were so dense in all directions.
I explored the clearing we lived in cautiously. There were carpets of moss, lying slick on fallen logs. I found many pale mushrooms clustered like tiny hands with little hats on the fingertips. Pools of cold, dirty water could always be found lurking between stones. If you ventured into the shadow, the place changed so fast. Three minutes into the trees, and the cottage vanished behind a crowd of indistinguishable trunks.
When I went to school, I would often sit alone on the bus. Mud on my shoes and a bit up my trousers, the smell of Dad’s cigarette smoke in my jumper. The other kids didn’t speak unkindly to me. They just didn’t speak to me. At all. School was cold. Small and smelled of disinfectant constantly.
We had been in the cottage about six weeks. I had been at the new school for about two years. Dad was drinking before he cooked. That was never a good sign. Burnt liver and onions again. He’d even put some wine in the pan. It made it taste funny. All I said was, “Mum never cooked my food with wine.” He took my plate, which still had most of the meal on it, and poured it into the bin. “She’s not coming back,” he said.
My fork was still paused halfway to my mouth. The last morsel of food balanced on it over the table. He swooped in and swallowed it whole off the prongs. “She left. The stuck-up cow! Wanted something else. Someone else. You’re stuck with ME! That’s just how it is.” He boomed as he chewed my last bite of food. My throat tightened. My belly rumbled. My eyes swelled. The cottage’s walls pressed in.
“You’re lying,” I whispered. Dad’s jaw bunched. “Don’t start. You’re done. Dinner is done. Get upstairs. BEDTIME!” He roared as he reached for the wine bottle.
“Mum loves me. I know she does.” I said as I sloped away from the table. His voice cracked. “Then why isn’t she here?” In a low hum, the sentence trailed off into a pained noise. “Because of you,” I said, and as I spat the sentence out, the words tasted older than me. They smelt of tobacco and wine. He sighed in that way he always did when he’d had enough and conversation was over. “Bed!” he commanded. I did as I was told. I always do as I am told.
Upstairs in that creaky, damp, wonky, stinky bedroom, I curled myself tight in my blankets. Pulling them in so hard against my chest. My hands hurt, and my shoulders set like clay. The patchwork one Mum had knitted for me still had the faintest smell of her washing powder in it. I’m not even sure Dad used washing powder.
I don’t think I slept a wink that night. It was like the floorboards, the owls, and the plumbing were mocking me.
I didn’t ever hear Dad creak up the stairs all night. I kept hearing him moving around. There were chairs, doors, and the tap on the sink making a deep donkey-like groan as he washed something up at two am. But I am sure he didn’t sleep. When I felt brave enough to come down for breakfast, he was still sitting there in the kitchen. The wine bottles were three now. Two big ones and a half-size one. Like a little family. Mum, Dad and me…
He barely looked up when I walked across the stone floor of the kitchen. I rushed to find my plimsolls by the back door because I could feel the cold through my socks so strongly that it felt like my feet were getting wet. I pulled them on and turned back to the kitchen table. He was leaning like a wounded hero in a movie. Holding his side. “Do you want tea?” I asked almost silently.
“Mmmm” was his only reply. I took it to mean yes. So I lifted the kettle from the stovetop and, with both hands, hauled it over to the big porcelain sink. I had to tiptoe still to reach the tap at the back. The whole time, Dad just sat there. Barely moving.
When the kettle was full, I hoiked it back over the edge of the sink. Spilling a little from the movement of the water inside. I carried the heavy steel kettle back to the stove. Passing Dad a second time on my way. I lifted it over one of the burners. A scraping noise rang out as it found the central point over the ring. Placed the hefty container on the iron grid around the rink. “Tea?” I enquired as I reached for the matches. “Dad? Tea?” He looked directly at me as I stood there with the matchbox in one hand and a lone match in the other. His big hands held out before him now silently commanding me to hand over the fire-making tools. I never get to do the best bit of anything.
I placed the matchbox and the lone match in his two palms. He rolled the stick across his fingers and through his knuckles without really gripping it at first. It arrived between his thumb and finger like a magic trick. He struck it hard and short against the rough side of the box. The crack and spark of the match head fascinated me as I watched. For a moment, he held it still. Letting the baby flame grow past the risky stage of an early end. Once we had an assured ‘burner’ on the go, he handed it to me like a tiny torch.
Carefully and with my hand cupped to protect the flame, I made my way back to the stove. I held my palm so close to the glowing bulbous light, hoping to feel more heat than I could bear. But it wasn’t so hot. Once the gas was lit, I searched the fridge for butter and milk. We had enough of both. And the bread bin still had three slices in a Sunblessed bag. The noggin looked OK, but the slices had early signs of blue dots. “Bread’s mouldy,” I muttered and shook the bag so the slices landed on the cutting board. Dad still barely moved. “Dad. The bread’s mouldy. Do you want something else?” He looked at me as if I’d just insulted him. “A bit of penicillin never hurt anyone,” he said, unblinking. I didn’t understand. “Do you need a tablet, Dad?” He held out his hand, but I was unsure of what he was asking for, so I just put my small hand in his. “Are you OK?” He closed his rough, warm fingers around my whole open palm. “Toast those slices, Son. A bit of mould will do us no harm.” I made a face. He didn’t like it. “No harm at all,” I tried to pull my arm away.
“I don’t want to eat mouldy bread, Dad. I don’t want to.” He closed his eyes, like he always did when he was ‘searching for his patience’. “You eat what we have, so there’s no waste, and you get a full tummy, Son.” I knew he was in a mood that could not be resisted, but unwisely, I continued to disagree.
“No. I don’t want to eat mouldy bread.” I pulled my arm from his grip. He looked outraged. “Mum never let the kitchen get like this,” I blurted, looking for words that would have maximum impact. That one didn’t land. He just put his hands on his knees and glared at me. “She’d never let things get into this state,” I reiterated. Dad smiled a threatening smile. “Don’t you mention her again, Boy.” I knew this was a precipice. A cliff edge in the conversation. I just walked out into thin air anyway. “Don’t YOU talk about her. She’s my mum. She’s mine, not yours. Not anymore.” I felt the air leave my lungs, the kitchen, and the world. I could hear a pin drop in that moment. He looked at me like nothing I’ve ever seen before or since. Like the world split in two that moment. There was before. And now we were in after.
Dad’s chair scraped. He rose sharply, but I was already running.
Cold air slapped my face as I bolted out of the kitchen door; I darted across the clearing. In twenty long strides, the forest swallowed me whole. Sharp black branches whipped my arms. Leaves skidded underfoot. Roots snared my boots. But I was not talking to gravity. I was a prey animal in flight mode. I pounded and pounded my feet against fallen leaves and squelchy muddy bits, leaping over twisted fallen branches and heading downhill. Deeper and deeper into the woods. I saw the leaf colours change. The reds and browns darkening to muddy, spotty, wet, half-rotted blacks. The ground tilted.
Let me get back to that burning bush- the one that’s way up in the mountain, after you’ve run away from your troubles. Somewhere you think you might be safe from having to confront what’s eating you. You find a burning bush when you have nowhere else to go, and when you have nothing better to do. At least, that’s how I always imagined Moses, when I used to go to Sunday School. He was running away from Egypt, wasn’t he? Maybe also from his father-in-law. Point is, he was in the wilderness, just him and his sheep, and then bam! He sees that crazy miracle.
I can’t really think about Jessica without thinking about the burning bush story. It’s not because I was running away, necessarily, but because everything that I had known previously had been upended by what should have been a big ol’ nothing burger. Okay, bad analogy to Moses, maybe. I mean, he did kill somebody. But for me, it was just an honest statement, taken a bit too personally, then taken out of context, to the point where it became a raging fire that burned down everything.
Jessica has a brother named Chris. Artist type. He draws cars and girls, mostly. He’s always trying to make zines. He’d be good at it if he could tell a story better. He just needs some refinement. Or he needs to illustrate somebody else’s ideas. Either way, I liked Chris well enough. A bit shy, a bit immature. But I wasn’t interested in him at all. Not like that. He was chasing after somebody else anyway, although, from what Jessica told me, she wasn’t too interested in getting caught. None of this part actually matters to what happened between me and Jessica, except for the fact that Chris is overly sensitive about everything- his art, his dating habits, his hair, his sister, his reputation. No criticism is taken well, even if you mean for it to be helpful. I knew this about Chris, and I should have just kept my mouth shut.
Jessica and I were at her place one afternoon, putting away her groceries and getting ready to order take out (because what else do you do after you get a load of groceries, right?) when Chris popped by. He had some new pages he wanted to show us of the zine he was endlessly drawing. Jessica and I flipped through the pages. The art was fine. Mostly. Some was mediocre. Some was really good, but only the pieces which I knew he’d done before, drawing the same scenes over and over again until he got them just right. So there we were, flipping through the pages, when one of the drawings really caught my eye, and I frowned at it. Chris saw me frown at it.
“What?” he asked.
This drawing… it was all wrong. The girl he’d drawn was sitting on the hood of some muscle car. She was in a tight tank and cut offs, just like all the other girls in the art. Imagine a 50s pin up mashed up with a 90s comic strip. She had this really pouty face, and her breasts were too big. Then I looked closer, and the face he’d drawn just reminded me too much of me, and the tank top his comic girl was wearing was definitely a riff on a t-shirt I wore all the time. So I looked up from the page, and stared at him, and said, “Didn’t know you were gonna put me in here.”
“What are you talking about?” he said, getting defensive. He took the page away from me, studying the drawing. “You think that’s you?”
“Looks like me,” I said. I shrugged. It really wasn’t worth getting him riled up, but I could tell that it was probably too late. “It’s fine. I don’t care.”
“Then why’d you frown?” he asked.
Now I rolled my eyes. Jessica had stopped looking through his other drawings, and was gesturing for him to show her the picture of me. He held it out without looking at her, and she took it, studied it, studied my face, and then said, “Stop. It doesn’t look anything like you.”
“She’s wearing my shirt!” I said. I wasn’t angry, I just didn’t understand why either of them were making such a huge deal of me pointing out that Chris had clearly drawn me with huge boobs and cut off shorts. But when neither of them made a reply, I attempted to cool off the room by making a joke. “Maybe you’re right. He could draw me better if he was actually trying.”
It was the wrong thing to say. I knew it as soon as it came out of my mouth. Chris gathered up the drawings silently, left the kitchen, and then left the apartment without saying goodbye. Jessica crossed her arms, staring at me in a way she had never looked at me before. I didn’t like that look. Again, we’d never fought about anything, remember? First time for everything.
“Why did you do that?” she asked.
“Do what? Be honest with him?”
“Make him feel bad,” she said, icily.
“God forbid a man ever feel bad about anything,” I said.
She folded up the last of the empty paper sacks that had held the groceries. When she finished she said, “I think you should probably go home.”
“Are you serious?” I asked, completely confused by her reaction.
“I said, I want you to leave!” she snapped.
So I picked up my bag, found my keys where they had sunk to the bottom, and left without saying goodbye. I fumed as I drove, wondering what had happened so suddenly that had made her go cold towards me. It was just drawings. It was Chris’ stupid drawings. Why did she care so much?
I never got an answer. She never spoke to me again.
The interview posted below was conducted by Stephen Bent, a writer, blogger, and contributor to A Writer’s Shindig. Authors from the collaboration were all interviewed about their work as part of the initial project. This interview is about Ted’s short story Strapped for Love. An author interview will be posted after the conclusion of each story in the collection.
Steve: Hi Ted. I’ve got half a dozen immediate questions. We can dig down into each one for further stuff when you’ve considered them. Let’s start with origins and research. Strapped for Love feels grounded in real systems and objects, from Nevada’s brothel laws to the Vincent Black Lightning itself. Did the story begin with any of that real-world research, or did those details emerge as the narrative took shape?
Ted: I started with two very loose ideas, a song and an incident at work. The song is a Todd Snider story song called 45 Miles, where he’s talking about driving between Lake Tahoe and Reno to do a show, and there’s snow on the road, and they have a car accident. My wife and I do that drive all the time, so I’m familiar with the location and the fear of driving in snowy conditions-I’ve hit the mountain a couple of times, if you know what I mean. In the song he says they’re all listening to Richard Thompson on this drive. Now I had no idea who Richard Thompson was but Todd’s turned me on to lots of good stuff before, so I went looking to see what I could find, and there was this great sort of folky outlaw fable with amazing guitar and it was about this really famous motorcycle and a girl called Red Molly and Box Hill, which I’m guessing you’re familiar with. So that was something I wanted to do something with about the time we started this project. The second thing was a fellow and a girl who came into the bar and the girl was just really mean to both me and him. She asked for a shot of expensive tequila and when I told her there wasn’t enough and I would have to get more she got angry with me. “Just give me what’s in there-I’m not paying for it-he is.” I wanted to know why someone would order something like that and not want all of it. It only dawned on me later that she didn’t give a rat’s ass about the tequila-she was there meeting the guy who’d hired her and they were just passing time before they went off to their hotel room. Those sorts of transactions happen sometimes here and they’re always fascinating. The dynamic stuck with me and I wanted to talk about it from the girl’s side. I did do a little Wikipedia diving on both Nevada brothels and the Vincent Black Lightning, and from that I got to learn about Fairport Convention and Sandy Denny too. Did you know she did the background vocals on “The Battle of Evermore?”
Steve: I did know that, Ted. The only female on any OG Led Zeppelin recording. Sandy is sorely missed. And that song is my sister in law’s favourite (Vincent Black Lightning, she doesn’t care for LZ). Fantastic answer and all more reason to love Todd Snider. Next I want to dig into your writings historical and technical specificity. In this and your other work I’ve noticed you reference specific historical events and period technology. Is Strapped for Love part of that same impulse you felt in your novel Mansfield Ohio?
Ted: Mansfield, Ohio I really wrote for my mother, who grew up in a terrible situation. My family’s roots were in the Ohio River Valley. My father’s family were dairy farmers and railroad engineers, two things that have largely disappeared in this world. Grandma on Mom’s side was an architect, at that time a woman in a man’s world. I don’t have many memories of my visits to Ohio, so I did do some research. Timothy Brian McKee’s blog about Richland County was invaluable, and I offer him belated thanks here for the leads he gave me on Park Avenue West, the Hotel Lincoln, the Three Graces fountain, the heady days of Malabar, the Mansfield Tire and Rubber Company, and especially Mansfield’s underground restroom, which led me to William E. Jones’s Tearoom. The Westinghouse Ballroom I found on Facebook, along with many folks’ happy memories. I watched Mechanized Death at some point in high school, and that tied right in; at that point, it was almost like someone else was writing the story for me. I have a fascination with cameras, the balance of security and intrusion they give us. In the world where we exist those little girls might never have died, but on the flip side the invasion of Michael’s privacy killed him. Strapped for Love is much more based on my personal experiences and locations I can see from my front door, or near it. I think markers readers can relate to are important in a story, to bring them in, to make them say “hey, I remember that” or “I get that.” I hope I got some of them right.
Steve: Fantastic answer, Ted. I agree on markers in stories. They tell on the author and the reader in the same way. A great leveler. Like the references in songs you mentioned they can also provide a new perspective. Just like Todd and Vincent Black Lightning. I’m now seeing some things differently due to this marker insight in your own work. It’s a powerful tool and you wield it well. Music seems integral to your work even when you sideline the description of it slightly. Do you write to music?
Ted: I use music as inspiration for all of my writing. I still buy all my music (no streaming) and I make playlist after playlist. There’s so many references in my writing that I probably can’t even find them all any more, and that goes back to being fourteen or so and wanting to use every song title on Def Leppard’s Pyromania album as a chapter title for the idea that eventually became (The Moon is Too Bright) to See Many Stars. If you see something that tickles your music memory, know that I was probably thinking the same thing when I wrote it. It’s great for shared experience. It’s great for emotion. And another thing I like about music is the permanence of it. Steve, I know you’re a music guy, and that’s actually how I came across your blog. For those of you who aren’t aware, Steve is a wonderful resource for music, especially new stuff. I’ve gotten so many good recommendations from him. I wasn’t even searching WordPress when I found his work. I’d googled Mick Ronson guitar solos, and that sent me looking for the Wildhearts, and SteveForTheDeaf’s blog was the top hit.
Steve: That is very kind of you, Ted.
Ted: I have music playing almost constantly. All sorts of music, every genre that I’ve ever connected with. When I’m writing, if I’m in the right place, I don’t even hear it. For instance, we’re listening to “Sh-boom” by the Chords on constant replay in the house at this moment, because my wife is going to have to sing it in a play, which is going to be hilarious. And it’s not even driving me insane. Yet.
Steve: Ensemble storytelling is a tricky thing to nail. This story works as an ensemble, with no single character claiming the narrative outright. What draws you to ensemble structures, and how do you decide where to place narrative weight when several characters are in play??
Ted: I believe it’s the characters that drive a story, so when I need a story to go somewhere I tend to have a character that sends it along in that direction. Then I try to develop that character as much as I can, so that they’re not just a plot device or cardboard cutout. In Strapped for Love I had the very specific goal of starting with four characters who wanted something they couldn’t have. For Stacy it’s love. For Tim it’s excitement. For Janey it’s that motorcycle and the freedom it represents. And then for Two-Cents it becomes lifelong companionship, something he realizes he can have if he gives up other parts of his life. I also like to think that any of us could be any of those four characters with only a degree or two of separation from our actual lives.
Steve: Let’s step into uncomfortable territory for a moment. I want to ask you a classic writers question now. About writing characters unlike yourself. Many of your characters make choices you clearly don’t endorse. How do you approach writing people who do things you’d never do yourself, without either excusing them or turning them into villains?
Ted: With characters I try to see their side of things. I don’t tend to believe in either heroes or villains. I actually have a lot of trouble writing villains, because I don’t see the world as black and white and I find myself bypassing the temptation to judge choices or tell others what they should do. I think everyone and everything is influenced by the situation at hand and that creatures generally do what they have to do to in order to survive. For example, in my long fantasy tale (The Moon is Too Bright) To See Many Stars, I write from the perspective of both sides of the conflict. That could confuse readers who want answers to what is right and wrong in a world where those answers don’t exist. In my own life I often find that those answers come later; that my full understanding of a situation lags a long way behind what’s laid out right in front of me. I suppose the character of Tai is the exception to that in this story; he doesn’t really have any redeeming qualities. He’s a bully and a user, and I don’t like those sorts of people in real life; I hope he’s not two-dimensional.
Steve: Let’s do the hero worship thing now and discuss who you’re reading, influence, and admiration. Which published writers do you most enjoy reading right now, purely as a reader? And do you think it’s possible to admire other writers without their influence creeping into your own work?
Ted: I’ve been writing a long time now, and I do believe I’ve developed my own voice, but strong writers influence my writing tremendously, to the point where I know I can’t read them and write at the same time without brutal self-examination and editing. I always loved to read, but I hated being told what to read in high school, so I skipped a lot of it. I am forever grateful to the college professors who taught me what was really good and fostered my love for world literature. To get listical, my favorite authors are Malcolm Lowry, Garcia Marquez, Faulkner, Hemingway, Melville, Woolf, Achebe, Nabokov, Pynchon, Flann O’Brien, Rushdie, and oh my goodness I could go on forever. I just ordered Franny and Zooey for the front line library and I’ll tell you straight up that your recommendation of Under Milk Wood is going in there too. What poetry resided in Dylan Thomas. Thank you for that. For short stories my two favorites are “The Dead” by Joyce and “Good Old Neon” by David Foster Wallace. And I do believe those authors are all there, Up Above My Head, showing me what to do. Well, all of them except Rushdie, who is still with us in spite of the religious hatred directed at him. He’s there in my bookcase when I need him.
Steve: Your work circles permanence a lot, whether it’s music, place, or memory. Which makes me wonder about platform. So let’s talk about the medium that brought us all together in the shindig. You choose to publish your work on WordPress rather than through more traditional literary venues or platforms. What does that choice give you as a writer, creatively or practically?
Ted: When I was in eighth grade I remember telling a teacher that “anything that gets published has to be good, right?” They just laughed. I queried Chivalry and (The Moon is Too Bright) hundreds of times with agents and publishers. I’ve had agents get mad at me for badgering them. I went to this writing conference and when we were talking about query letters I asked why none of mine got a response. The agent replied, “Well, your query letter’s not any good.” I thought about that for a long time. Mainly because I pretty much copied that query letter from the one Brandon Sanderson used to get a publishing contract with a prominent agent who I won’t name. His was printed in Writer’s Market. And then I came across this quote from Toni Morrison, who I believe worked for Viking at the time. She said, “Even in the late nineteen-seventies, acquiring authors who were certain sellers outranked editing manuscripts or supporting emerging or aging authors through their careers.” That blew it wide open for me. Agents weren’t there to read my stuff, or help me get published, or to guide my writing. They were there for one thing and one thing only: to make money. So if my name was Trump, I could write any crap I wanted and get it published tomorrow. But without name recognition, no one at Knopf was truly going to read my work. And I’m not going to do the things that are required to get name recognition. I’m not going to play that game. It’s not my style, or even within my abilities. What I’m interested in is reading and writing. So I said fuck it and just started putting my novels up on WordPress for free. And guess what? People did read them. And people did like them. And that made me feel so good. And they’re not going anywhere. WordPress doesn’t delete old posts, and with the way AI is harvesting our words now who knows when one of us might write something that lasts forever? So I’m going to keep doing it, and I’m going to keep encouraging others to do it, because it’s real. I’m only half joking when I say I think I’m WordPress’s biggest proponent.